Wednesday, December 23

All Get Out, a review

There was nothing too unusual about this particular night at Café 567. It was a little colder than normal and a Christmas tree filled one of the front windows, but the crowd was the same, all huddled outside to smoke cigarettes and wait for the highlight of their night—All Get Out.

Over the past two years the Charleston, SC based band has become a staple in Macon. Their near-constant touring always seems to bring them through the MacTown, as guitarist Mel Washington learned it is called, where they’ve cultivated a large and dedicated fan base, due entirely to their less than typical rock star attitudes. Nothing demonstrated the close relationship between band and town better than the giant group Christmas photo lead singer Nathan Hussy requested the crowd’s presence for after their set, which was more amazing than usual.

After recently spending time in Atlanta recording their first full length album, Nate’s voice was hoarse. The crowd, including myself, didn’t seem to mind because they only began to sing louder, per Nate’s request. This was more than likely the last time AGO would be exclusively playing their old songs as well as their last show of the year, which gave them full license to play around with the songs everyone had become so familiar with. Nobody minded the variations, which included even more emotion packed screams from Nate despite his nearly inaudible voice.

If you have seen these wonderful men play in the past, or ever get a chance to see them, I suggest watching the drummer, Gordon Kiefer. The first time I saw them play he at one point stepped away from the drums, curled up in a corner and appeared to be sleeping. He later laid face up on his bass drum. Over the months he has toned down his on stage antics, but he seemed to dust them off for this show, where he started off by roaming around his drums and again appeared to be asleep for a brief time. Another thing you would have noticed if you paid careful attention to each member was Mel’s pained expression during “Come My Way,” specifically at the beginning when singing about the companionship of a dog. I attribute that to the recent death of his Yorkie, Princess. He recovered quickly, though, by channeling that emotion into one of the next songs—Lucky Bastard, my personal favorite.

The show, which was full of witty and familiar banter between everyone in the band except Gordon, who never gets a microphone, and the crowd, concluded with the ultimate form of bonding and show of trust—bassist Mike Rogers crowd surfing. While some people jumped at the chance to catch and support Mike, others, like myself, ran at the thought possibly dropping him. I’m sure he understood.

This show was the perfect way to begin my Christmas break. I’m now left eagerly anticipating their next show and the release of their album. I’m sure neither will disappoint.

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